Thursday, February 12, 2015

Moral Occult

Tayler Dooley                                                                                                                                 2/12/15

Moral Occult 
            When one begins to analyze the melodramatic genre, staple characteristics begin to emerge.  It seems at the heart of every Melodrama lies a power struggle between right and wrong, and/or good and evil. The protagonist is often thrust into an emotionally charged conflict that can only be resolved with a sound moral compass and wholesome values.  It is this underlying sense of morality that characterizes something called “the moral occult.” As defined by Peter Brooks, the moral occult is, “The domain of operative spiritual values which is both indicated within and masked by surface of reality” (Brooks, 5). The moral occult is comparable to one’s conscience; the devil and the angel sitting on their shoulder helping them determine what’s right and wrong. What is interesting about the moral occult is how it further enhances the melodramatic mode of expression.  A key feature of the melodrama involves characters putting everything out in the open regarding emotions and feelings. Because of this, the audience is well aware of each character’s sense of morality and what they view as right and wrong. So the moral occult essentially enhances the melodrama by enabling the characters to display their inner morality by utilizing expressive emotional mode.

            The film All That Heaven Allows is full of great scenes that demonstrate melodrama as a mode of emotional expression through moral occult. In one of the pivotal scenes of the movie, Cary and her son Ned are having a heated discussion about Cary’s recent engagement to Ron. Ned has made it very clear that he does not approve of the engagement. He feels that Ron is below Cary’s class status and is an awful way of preserving his late father’s memory. Ned has a moral obligation to family and honor. Cary on the other hand loves Ron, the two of them are very happy together. As much as she to values her late husbands memory, she is at a point in her life where she is ready to move on. The two of them clearly have conflicting moral obligations. The entire scene is packed with emotion, as Cary and Ned making their feelings clear to one another.

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